Munich 2024

I cannot recall a single instance where I was less than thoroughly satisfied—thrilled, usually—by the sound Marten loudspeakers made at shows. Given how tricky show set-up often is, Marten’s track record of stellar sound is no mean achievement.

This large system employed a reel-to-reel deck and a DAC for sources, abetted by a new product designation, at least for me, a combination tape/phono stage.

I get excited when a room showing “budget" gear knocks me for a loop. As is sometimes the case, a well-curated, carefully set up budget system can make music in spades, hitting the high notes of tone, staging, and dynamics.

In a large Atrium showroom, Sonus Faber introduced their five new Second Generation (G2) Sonetto loudspeakers. Though I didn’t have an opportunity to audition any of the new models which comprise the company’s most affordable and popular series—speakers that are priced far, far lower than Sonus Faber’s Suprema flagship ($750,000/pair—I was privileged to end up face-to-face with Florian Marmisse, the acoustic engineer who designed the line’s drivers and crossovers.

High End Munich is a global stage for established audio brands, already heavily covered by the international press. How do smaller manufacturers get noticed in this crowded, high-profile event? I made it a mission to seek out hidden gems and share my discoveries.

High End Munich continued to unveil new (at least to me) names in the world of hi-fi; amplifier manufacturer hARt Labs was another fascinating discovery.

Riviera Audio Labs’s founder Silvio Delfino and designer/engineer Luca Chiomenti introduced two world premiere components at their booth at High End Munich: the APL-1 Tube Line Preamplifier ($26,000) and the AFS-32 Hybrid Stereo Power Amplifier ($28,000).