Capital AudioFest 2024

The buzz was palpable weeks before I hit the show. David Chesky’s son, Lucca, had designed a pair of small bookshelf speakers—the LC1—while still in high school and developed the speakers while interning at Princeton University with Professor Edgar Choueiri, the brains behind Bacch SP.

Derek Skipworth of Arlington, Texas’s Audio Thesis was on hand to showcase several components at CAF2024.

Robin Wyatt always gives great room, and this year’s CAF appearance was no exception. Prancing like a jolly bartender offering beautiful audio reproduction in place of libations, Wyatt’s room creates anticipation and soon enough, audio ecstasy.

Show attendees entered John Semrad and Dave Slagle’s room and let out an involuntary gasp. The components on display epitomized bespoke, handmade craftsmanship, of the highest quality, with purity and provenance their bywords.

At the risk of giving these social media upstarts more attention, my old friend Jason Messina (aka The Audiophile Junky) could be found in the Popori/UniQue room, which is a funny thing. The only time I’ve seen Jason even close to being immobile—i.e., not making videos, which he does, hitting the ground running (I’ve seen it)—is at a show!

Angie Lisi of American Sound of Canada always presents desirable components—CAF2024 was no exception. This year, Lisi launched the North American debut of German-made Perpetuum Ebner turntables, the new Phasemation SA1500 integrated amp, new Avantgarde Colibri Series speakers and subwoofer, new Avantgarde Zero Itron speakers, and her exclusive line of Italian Synthesis Art in Music tube amplification.

This all-Infigo-meets-Alta room was bathed in Infigo Audio’s Hans Looman’s usual blue light glow, showering the room with the same mystical vibrations I heard from this room at some CAF long since past.