Stephen Mejias

Ideas for 2010

I don’t think much about resolutions. One way or another, people do what they <i>want</i> to do, and all too often our desire conflicts with our resolve. But yesterday morning, as I was walking around downtown, waiting for everyone else to wake up, I stopped at Van Vorst Park to eat a banana and watch a father build a snowman for his son.

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Nevermind and Original Recordings Group

For Christmas, I received the new vinyl reissue of Nirvana’s seminal 1991 album, <i>Nevermind</i>. This beautiful thing, mastered by acclaimed engineer, <a href="http://www.stereophile.com/news/102207bernie/index.html">Bernie Grundman</a>, and pressed at <a href="http://www.stereophile.com/features/408rti/index.html">RTI</a&gt; on extremely quiet 180gm vinyl, is brought to us by <a href="http://www.originalrecordingsgroup.com/index.htm">Original Recordings Group</a>. Thank god for them.

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Now on Newsstands: Stereophile, Vol.33 No.1

The January 2010 issue of <i>Stereophile</i> is now on newsstands. Hooray! A new volume! A new year! Twelve more issues of <i>Stereophile</i>! Whee! We are pretty excited about starting the year off with a review of a PC soundcard. And at just $200, the ASUS Xonar Essence is the least expensive product to ever grace the cover of our magazine. Plus, it’s got that pretty golden tiger thing on it. What aroused John Atkinson’s interest, however, was the ASUS’s claimed signal/noise ratio of 124dB: “True high-end territory.”

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Why Cassettes?

I was introduced to <a href="http://www.freewebs.com/scotchtapes/">Scotch Tapes</a>, “the worst hi-tech music label ever,” on December 9, by a <a href="http://twitter.com/stereophilemag">Twitter</a&gt; post from <a href="http://www.jagjaguwar.com/">Jagjaguwar</a&gt;. Oneida would be releasing a limited-edition <i>cassette</i> through Scotch Tapes. This was interesting news to me, first because <a href="http://blog.stereophile.com/stephenmejias/the_way_we_listened_then/">I’ve been fascinated</a> with the idea of a “cassette tape revival,” and second because Oneida is a well-established name in the world of underground rock bands. Why would Oneida release work on a format that had been all but forgotten by the music industry? Why cassettes?

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