Herb Reichert

His name was Thom Pahmer and he broke all my rules: It was 10am the first day of the show and I walked in to his empty room, I introduced myself, "Good morning. My name is Herb Reichert and I covering the lower cost part of the High End for Stereophile—and I am especially interested in stand-mounted speakers." Mr. Pahmer looked at me crossly and said, "These are NOT stand mounted speakers!" I pointed at what I thought was a stand and he says, "The speakers are bolted to them—it is all one unit." I asked about the retail price and he told me, $5500/pair.

Delta flight 2820: At 497mph the ambient noise in the cabin averaged 94dB and registered 101dB peaks. That is at least 40dB louder than a candlelit night in my listening room. Artur Schnabel brings it up to (at most) 90dB and the loudest I have ever played Led Zep on the Magnepan .7s is 102dB. Now, I can't wait to rinse that crazy engine noise from my ears and hear some clean clear beautifully toned hi-fidelity music at maybe 103dB—or more! But these clear-sounding components must be moderately priced—because I am a cub reporter and new products that cost less than $5k is the assignment I volunteered for.

The golden rays pouring in through the left oculus transport a tiny child carrying a cross: ". . . the devil was vanquished, as if he had just swallowed the bait in the mousetrap." In his essay "'Muscipula Diaboli,' The Symbolism of the Mérode Altarpiece," the late art historian Meyer Schapiro explains how every object, every surface—even the smoke, light, and volume of space—depicted in the famous triptych by Robert Campin (ca 1375–1444) is a coded symbol explicating the mystical underpinnings of Netherlandish Protestantism.

Like baking bread or watering my garden, playing records in my monk's cell is an expression of my devotion to living mindfully. It is part of my search for identity and comfort. It shows me how my thoughts, feelings, and poetic imagination fit in with yours, Keith Jarrett's, and everyone else's. The only problem: Often, the stereo components that most enhance my experiences of devotion and identity are not those that I can sincerely declare to be the most accurate or neutral.