At the beginning of the previous decade, Technics had released the SP-10, the first direct drive turntable. That was followed in short order by the SL-1100. Clive Campbell, aka Jamaican-American DJ Kool Herc, pioneered the simultaneous use of two Technics SL-1100s, initially at his sister's birthday party in the Bronx, inspiring "block parties" (rigging streetlamps for power) and hip-hop culture. Kool Herc isolated drumbeats from records by James Brown (with drummers Clyde Stubblefield and John "Jabo" Starks) and the Incredible Bongo Band (powered by master studio drummer Jim Gordon), among others, creating "breaks" for heated dance-floor partying. Soon, Lace Taylor (aka Afrika Bambaataa) and Grandmaster Flash (The Message) took Kool Herc's inventions into the mainstream, and hip-hop went global.
Just Audio's Lenny Florentine presented two rooms at the show, one jammed with components at all price points (including Luxman, inspiring that company's VP of Sales John Pravel and myself to reminisce about 1970s hi-fi sales), the second with more affordable but no less listenable alternatives. Room 806 offered two systems in one.
The room of Tampa-area dealer, UniQue Home Audio was hosted by Michael Swek and offered unique gear and interesting sounds. Their products included the MoFi Ultradeck turntable ($2499) with an Ultragold MC cartridge ($1495) feeding a Coda 06X FET phono preamplifier ($6000). Digital audio was handled with a HiFi Rose RS-130 Network Transport ($5195).
Another heavy hitter, showing in five rooms with multiple product lines, was Rob Standley’s Playback Distribution, featuring equipment from TEAC, the new-to-me company Advance Paris, PMC, Amphion, Vienna Acoustics, and a heaping helping of Esoteric.
In the usual preshow rush to coax product lists out of exhibitors, I asked Jeff for his list, and make it fast! One day passed, then another. Finally, Jeff acquiesced, writing "Ken, we just got the room!"
When some folks think of Audio Note, they picture of low fog over English lakes, Earl Grey tea, The House of Commons, and Big Ben. Tubes for sure. Likely, Classical music. Well hold on to your remote control, 'cause this latest sighting of Audio Note, at the Florida Audio Expo, was more drum'n'bass than Dvorák, more techno wampum than Die Walkure.
As Stereophile managing editor Mark Henninger and I scurried up and down the Hilton halls, fulfilling our tasks as intrepid reporters, we had little time to compare notes. But we agreed on one room, Axiss Audio. In a room filled with exceptional gear, Axiss's Cliff Duffey and TJ Goldsby had set up a fantastic rig, well beyond the norm, which overachieved and set my ears afire. (Not literally.)
Angie Lisi and Matthew Legere of American Sound of Richmond Hill, Ontario, played vinyl records, after my heart.