Tom Fine

For a lot of bands, the second album is intimidating. There are numerous examples of sophomore slumps, which sometimes lead to a band's quick end. Talking Heads didn't just avoid a sophomore slump; they scored their first top-40 hit and put their career on solid, sky-is-the-limit footing.

If you like 1970s rock music, particularly hard rock music, something you love was recorded or mixed in a Record Plant studio. If you have a favorite live album from the '70s or '80s, it was likely recorded by a Record Plant Mobile truck.

When it comes to phonography, I'm not terribly picky, but I do have preferences. I maintain my records well because I prefer to play clean records, with minimal pops, clicks, and crackle to distract me. I like a phono cartridge that tracks average platters perfectly and difficult sides at least very well.

McIntosh, which is based in my home state of New York, has long been in my audio life. It was the "house sound" where I grew up. My parents' stereo system was powered by a pair of MC75 tubed amplifiers (fed by a Marantz 7B preamp, driving Bozak Concert Grand speakers). In my father's recording studio, McIntosh amplifiers powered the monitors.

As much as I love my stereo system and listening to music through two speakers, some recordings just can't be bound by the limits of stereophony. For instance, Carl Orff's epic cantata Carmina Burana. Sure, I've heard successful stereo versions, but listen to the four-channel Quadraphonic mix of the classic 1974 recording by the Cleveland Orchestra, Chorus and Boys Choir, conducted by Michael Tilson Thomas, then decide whether stereo still does it for you.

A century ago, pioneering psychiatrist Carl Jung had a wild encounter with the power of sound. "In a village on the way from Lake Albert to Rejaf in the Sudan we had a very exciting experience," Jung wrote in his book Memories, Dreams, Reflections. He goes on to describe his participation in a tribal drum and dance ritual. "Night had fallen ... when we heard drums and horn blasts. Soon some sixty men appeared, martially equipped with flashing lances, clubs, and swords."

For Warner Music Group, the Doors have been a deep vein of music gold. Their albums have never been out of print, and the catalog has enjoyed regular reissues for decades. Each new version of the Doors' first six albums sells well enough to prompt another trip to the vaults.

The latest moonlight drive down love street is a series of all-analog LPs from Rhino High Fidelity (RHF). A limited-edition numbered box set version sold out in days; un-numbered single LPs will sell until the production parts wear out. Cut by Kevin Gray at Cohearant Mastering using his Studer A-80 tape machine and Neumann VMS-66 lathe with Technics quartz-drive motor, they were plated and pressed at Optimal in Germany and are housed in the heavy-cardboard gatefold jackets used throughout the RHF series.