Phono Cartridge Reviews

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Brilliant Corners #27: Ortofon SPU Royal N phono cartridge (and Patsy Cline)

Back in the '90s, when I was young and marginally employed, one of the things I looked forward to most was going downstairs to my mailbox and finding a copy of Audiomart. The booklet arrived every two weeks, sometimes monthly, and was filled with classified ads for audio gear typeset in tiny, difficult-to-read print. In those pre-internet days, you needed a reference from a subscriber to sign up for Audiomart, which fostered a sense of community and safety, and if you wanted to respond to an ad, you had to call someone. Mostly I just enjoyed perusing the ads, but the prices for some of the vintage gear, particularly the less legendary stuff, were low enough that from time to time I could afford them.

Gramophone Dreams #96: Falcon 2024 Limited Edition LS3/5a loudspeaker, Lyra Delos phono cartridge

The story goes that starting in 1962, Malcolm Jones was KEF's "first employee," where he "did most of the design and development of the legendary KEF drive units—the B139, B200, B110, T15, T27—and the systems in which they were incorporated. Malcolm left KEF in 1974, having just completed the Reference Series 104 system and work on an active professional monitor to work full time at Falcon Acoustics Ltd."

Fast-forward a few years. I bought my first BBC LS3/5a in 1980. It was a Falcon Acoustics kit I saw advertised in the back of Speaker Builder magazine. Fingers crossed, I sent a postal money order in a thin Air Mail envelope to what I imagined was a garden shed in England. But of course it wasn't.

Analog Corner #232: HiFiction Simplicity II tonearm, Miyajima Labs Madake phono cartridge, Rogers High Fidelity PA-1A phono preamplifier

In my January 2014 column, I reviewed HiFiction's Thales TTT-Compact turntable and Simplicity tangential-tracking pivoted tonearm, an intriguing combo from Micha Huber, a talented Swiss watchmaker turned turntable designer.

The TTT-Compact's particulars, including its battery-powered motor and exceptional ease of setup, are described in detail in that review, which includes a link to a useful animation that shows how the design, as Huber says, "reduces the perfectly tangential tracking to pivot points, while the pick-up cartridge is taken and aligned on the Thales' Circle."

Suffice it to say that while the HiFiction tonearm is named Simplicity, its design is anything but.

Gramophone Dreams #93: The Kalman R Experience, Audio-Technica ART20 Phono Cartridge

The day I visited Stereophile Senior Contributing Editor Kalman Rubinson, I arrived back home with a headful of new understandings, but before I could ponder those things, I made a cup of tea and sat down to read a few New York Times obituaries.

While Kal and I sat chatting on his couch, he told me that reading obituaries was not only fascinating but had actually helped him find out what happened to a few people he had lost touch with. I told him I hadn't read Times obits in years but when I did, I did it to enjoy the quality of writing. We agreed that the Times's obituaries (as well as their Sports, Food, and Arts & Leisure pages) are good places to find inspired bits of pure journalism.

After some raving about our favorite journalists, we began telling when-we-were-kid stories about how we used to stare through the grille cloths on table radios, where inside by the speaker we would see the announcer's face, and sometimes whole orchestras—in miniature—on a dark stage where the speaker cone morphed into a concert shell.

Analog Corner #235: Kiseki & Lamm

At the 2011 Consumer Electronics Show, Herman van den Dungen handed me a surprise: a brand new Kiseki Blue cartridge manufactured from new-old-stock parts. It wasn't mine to take home—only to look at, to prove it was real.

Herman van den Dungen may not be a household name even for audiophiles, but his products are: his PrimaLuna electronics are exported from the Netherlands to the US and distributed by tube connoisseur and collector Kevin Deal for PrimaLuna USA.

In the 1980s, Kiseki was legendary among audiophiles, even if their cartridges' prices were beyond the reach of most. But the brand's history is less well known—and younger analog devotees may not have heard of Kiseki at all.

Spin Doctor #19: An exotic Audio-Technica cartridge and a Vivid flagship speaker

I think of Audio-Technica as the maker of some of the best high-value cartridges out there. From the ubiquitous AT3600L, which can be had for a little more than a Big Mac meal at McDonald's, to the popular OC9 moving coil series, A-T's cartridges have long been easy-to-recommend options that deliver great sound mounted on just about any turntable.

But occasionally, Audio-Technica likes to show off its technological chops by launching a cartridge that breaks new ground. Last year, they celebrated their 60th anniversary by stunning everyone with the AT-MC2022, which uses an outrageous integrated stylus and cantilever fashioned from a single piece of lab-grown diamond. In 2016, they flexed their capabilities with the AT-ART1000, which completely reconfigured how the elements of a moving coil cartridge are arranged, with spectacular results.

Now, eight years after the AT-ART1000 was launched, A-T has introduced the AT-ART1000x, which incorporates several small but important improvements.

Gramophone Dreams #91: Mobile Fidelity, PrimaLuna, and First Watt Redux

Herb waits for Godot

It's important for readers to remember that I've spent my adult life as an artist and mechanic. Making things. Working as a tradesperson during the day then at an easel or workbench at night.

When I finished high school, all I wanted to do was work in a fancy, well-equipped shop building drag race engines. Engine building was something I had already shown a talent for, but my parents insisted I go to college. Unfortunately, my high school grade point average was so low I was turned down by every college I applied to. Consequently, my parents forced me to attend Wright Junior College in Chicago, a place where teachers rolled joints for their students. And I got straight A's. Those easy A's got me into Western Illinois University, a small state college in a tiny rural town called Macomb near the Mississippi River. My mother was so proud, she told everybody she knew that her son was accepted into "university," but she could never remember which one.

Analog Corner #237: Ortofon MC A95 phono cartridge, Brinkmann Audio Spyder turntable and 12.1 tonearm

It's difficult to believe that more than five years have passed since Ortofon introduced its ground-breaking MC A90 moving-coil cartridge ($4200 when last available). The limited-edition MC A90, with its radically shaped body made of powdered stainless steel Selective Laser Melting (SLM), celebrated Ortofon's 90th year in business. The MC A95 ($6500), celebrating their 95th year, retains the A90's seductive shape, but the new body is built of powdered titanium, and thus is even more effectively self-damped.

Spin Doctor #18: Moonriver 505 Phono Stage, DS Audio E3 Optical Phono Cartridge System

I spent the second three-and-a-half years of my life living with my family in Sweden. Our home was on an island just outside of Stockholm called Lidingö, which locals tell me today is like the Beverly Hills of Stockholm, a fancy place where the rich and famous live. Fifty-nine years ago, it wasn't quite so fancy; it just seemed like a cool place for a little kid from New York City to grow up.

I can't honestly say I remember many details about my life between the ages of three and a half and seven, yet apparently some of that Swedish way of thinking ended up influencing my life view, specifically, how Swedes approach consumer goods and purchasing decisions.

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