FollowUp RoundUp
When Stereophile publishes followup reviews of various kinds in the print magazine, we add the followup as a "child page" to the full review. That means that they don't appear on the website's home page and might get missed. The October 2020 issue included three followups: of the Boulder 2108 phono preamplifier, the Weiss DAC502 D/A processor, and the IsoAcoustics Gaia loudspeaker isolation feet.
Gold Note PH-1000 phono preamplifier
Gold Note's $11,999 PH-1000 is by a considerable margin the most sophisticated, most configurable phono preamplifier that any audio manufacturer has ever produced, at least that I know of. Remarkably, considering all that flexibility and sophistication, using and adjusting the PH-1000 is straightforward.
Graham Audio Era Gold Mk.V phono stage
I don't know Gram Slee from Gram Parsons, or which House he was in at Harry Potter's Hogwarts School, but let me tell you: If you'd just been listening to a bunch of budget phono preamps, as I had, then came upon the GSP Audio Era Gold Mk.V, you'd think someone had switched out not just the phono preamp but your entire system. You might think you were listening to a different pressing or a different cartridge. How can this be?
Gramophone Dreams #100: the Schiit Stjarna again, the Denon DL-103, the EM/IA 103 SUT
My Russian neighbor Alex forges ax heads and smokes pig chests 5' from my bedroom window. At 2:00am, shirtless, in February. One especially cold night, I woke up to the sounds of hammering and loud music. When I looked out, Alex was blacksmithing a glowing red meat cleaver blade, with Rachmaninoff plays Rachmaninoff blaring from a cassette in his boom box.
Gramophone Dreams #103: Ortofon MC X40 phono cartridge, Robyatt & Lundahl step-up transformers
The new MC X-series moving coil cartridges appear to have jumped the fence and broken free of what I long perceived as Ortofon's traditional Scandinavian style. This month, I'm auditioning the top of the X series, the MC X40, which costs $1150 and sounds almost Japanese.
Gramophone Dreams #105: The Hot Club of New York and the Kitsuné KTE LCR-1 MK5 phono stage
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
Gramophone Dreams #106: Lab12 Melto2 Phono, Tzar DST V1 Black Knight Corian, Ortofon 2M Black LVB 250
On the front page of its owner's manual, Greek amplifier manufacturer Lab12 describes the Melto2 ($4995) as a "Remote Controlled, Fully Adjustable Phono Preamplifier." I'd describe it as a clear-speaking, fun-to-use, cartridge- and record-collector's dream. Plus: It's got tubes.
Gramophone Dreams #110: LAiV Harmony µDAC, Etsuro Urushi Cobalt Blue, Bob's Devices Sky 20-S
In my studio, I have a hand-sized wood box. It is the soundbox of an African musical instrument with a small internal volume, a pencil-sized sound hole, a bent steel bridge, and an array of eight steel wires with flattened ends—a keyboard. It is called a mbira . . . you can buy a spiffy varnished mbira at Walmart, where it is called a "Kalimba."
Gramophone Dreams #112: Audio Note IO II phono cartridge & Audio Note AN-S4L SUT
When I began writing for Stereophile in 2014, I decided not to mention Audio Note. I decided this because during the best part of the 1990s, I enthusiastically represented both Audio Note UK and Audio Note Japan (Kondo). I did not want my new readers thinking my Stereophile review stories were biased by my previous affiliations.
Gramophone Dreams #20: Lounge Audio & MoFi UltraDeck
In my October 2017 column I reported on two turntables, the Palmer 2.5 and AMG Giro G9, each costing $10,000 and up, depending on ancillaries. It wasn't that I wanted to get all Mikey Fremer Uptown on you; I wanted to refine my listening skills and familiarize my senses with what my own humble system would sound like with a pair of world-class record players.