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Between the Ears: the art and science of measuring headphones

Headphones get pretty short shrift in much of the hi-fi press, which is puzzling—the headphone market is burgeoning. I don't know what the equivalent US figures are, but in recent years the UK headphone market has increased by an annual 15–20% in both units sold and overall revenue. It's easy to dismiss this as a natural byproduct of the Apple iPod phenomenon, but 20% of the market value is now accounted for by headphones costing over $120; a significant subset of consumers would seem to be looking for quality. When you also consider that many people's first exposure to higher-quality audio comes via headphones, there is ample reason for treating them more seriously.


A Visit to RTI & Acoustech

It's said that your first experience on entering a space sets the tone for all that follows. At LP pressing plant Record Technology, Inc. (RTI), that experience is my encounter with veteran pressman Richard Lopez, who responds to my request for direction. As he leaves his vintage record press to lead me to owner Don MacInnis, Lopez reads aloud the sticker on a box of recently pressed LPs. "WORLD'S FINEST PHONOGRAPH RECORDS," he declares with pride. As I reflect on how few workers today feel so connected to the products they make, I sense that something special lies ahead.


Luke Manley and Bea Lam of VTL: Vital Sound

Our meeting was propitious and totally unexpected. The locus was Los Angeles' Sheraton Gateway Hotel last May, on which we had all descended for Home Entertainment 2006. As a contributor to Stereophile's Show">http://blog.stereophile.com/he2006">Show blog, my assignment was as liberal as they come: Go where you are drawn, listen as you will, and record your impressions.


Recommended Components Addendum

Loudspeaker Cables & Interconnects


Editor's Note: Rather than place cables in the usual "Recommended Components" classes, we've just listed those cables that members of the magazine's review team either have chosen to use on a long-term basis or have found to offer good value for money. They are therefore implicitly recommended. Where a cable has been found to have specific matching requirements or an identifiable sonic signature, it is noted in the text. "Try before you buy" is mandatory with cables; many dealers have a loaner stock to make this easier.

Truth vs Beauty: A Tale of Two Transports

It is a truism that audiophiles love music. What distinguishes us (footnote 1) from the vast majority of music lovers is the importance we ascribe to the high-quality reproduction of recorded music. But what, exactly, constitutes high-quality sound reproduction? To many audiophiles, the answer relates to accuracy. Useful indices of accuracy include many of the parameters that editor John Atkinson routinely measures: flat frequency response, time and phase accuracy, and low distortion, to name a few. On the other hand, many audiophiles apparently have little interest in these aspects and instead seek nothing more—or less—than a romantic and pleasant sound. Such individuals are unfazed by demonstrable inaccuracies in their systems; as long as it sounds good to their ears, they are happy. Are these two schools of thought both compatible with the notion of high-end audio? If so, is one "more correct" than the other? Are they mutually exclusive? What brought this issue to mind was, of all things, a digital transport. Actually, two transports.


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