Interviews

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Capturing it Live with Peter McGrath

Ever since I encountered Wilson Audio Specialties' Peter McGrath (above) playing his own digital recordings at audio shows, hanging out in the Wilson Audio room has proven the consistent highlight of my show coverage experience. Nor is it simply the quality of the musicianship that continues to draw me to McGrath's rooms. As anyone who has heard his work can attest, the man's ability to capture the unique characteristics of a performance venue, as well as the natural sound of voice and instruments, is second to none.

Shane Buettner, Intervention Records


"With all due respect, what the hell is the matter with you?"


Over the years, I've felt obligated to ask this question of several friends who somehow concluded that their life's work involved founding a record label.


"That is the best question isn't it?" Shane Buettner said with a big laugh. "Why do I want to hurt myself this badly and spend a lot of money doing it?" He smiled again, with a mild shake of the head.


"Actually, yes—that's exactly what I mean."

Bob Margolin: Rollin' And Tumblin'

Let's face it: If you're one of those sedentary audiophilic types or you have a genetic disposition to growing pear-shaped later in life (genetic . . . right, that's it: nothing to do with couches or hooch), it's wise to adjust your fashion sense accordingly. And nothing says "portly gentleman in disguise" like a guayabera—a shirt that, I have just discovered, blues guitarist Bob Margolin and I both love. He even wears one on the cover of his new record, My Road.

Richard Thompson: Daring Adventures


It had been years since Stereophile's last San Francisco Hi-Fi Show, when we'd hired him as a solo act, and yet the conversation was once again instant vaudeville, and I was again the straight man.


"The last time we saw each other, I think I just shook your hand and handed you a check."


"What, you didn't bring a check this time?"


"So this is your 16th solo record?"


"Is that all? Bach was doing a cantata a week. How many songs did Schubert write?"


"But he didn't do the words."

Klaus Heymann: A Naxos World

Is it because no one takes pot shots at you unless you're on top? Or are the most recent criticisms of Klaus Heymann and his diversified Naxos Digital Services empire on to something more?


To refresh: Heymann, a German entrepreneur who began selling cameras and stereos to American GIs in Vietnam, and later become the Hong Kong distributor of Bose and Studer audio gear, launched Naxos, a classical-music label specializing in budget-priced CDs, in 1987 (footnote 1). The label's name is also easy to pronounce in any language. Heymann began to build the Naxos catalog—now one of the largest classical labels—by recording young and often unknown artists and orchestras, most from Eastern and Central Europe. Soon, displays of Naxos CDs, all of their covers conforming to a uniform, instantly recognizable design, became to crop up in record stores large and small.

Jackson Browne: Enter The Natural

For famously civilized and jaded New York City, the crowd at the resplendent Beacon Theatre is uncommonly involved. Loud requests, many in tangled liquor dialects, boom from the balcony:


"'REDNECK FRIEND'!"


Onstage, Jackson Browne smiles and shakes his head.


"'COCAINE'!"


"I could do that, but it would have to be the rehab version." [crowd roars]


"'FOR A DANCER'!"


Oh, wait—I'm yelling that.

Aerial Acoustics' Michael Kelly Reveals Some Trade Secrets

Aerial Acoustics, the speaker firm that Michael Kelly conceived a quarter-century ago with David Marshall, is headquartered north of Boston, not far from the Merrimack River Valley region that once produced textiles and shoes by the trainload. Kelly, though, is quick to equate Aerial with far more distant firms. His industrial models are in Germany, where he lived for a while when his father, a US Army officer, was based there, and where he later spent time as a vice-president of a/d/s/, which had been founded by a German-born and -educated scientist, Godehard Günther, who died last October. They're small-to-midsize specialty firms that together constitute a category called Mittelstanden, and they're as accomplished as they are narrowly focused. They're artisan enterprises, and it's only natural that someone as dedicated as Kelly is to building state-of-the-art loudspeakers would embrace them as examples.

Norman Chesky of HDtracks and Chesky Records


Both Chesky Records and HDtracks have a pair of co-founding partners, but the music-minded press has perpetually focused on one of them, pianist and composer David Chesky, while ignoring his younger brother, Norman. Mainstream reporters and photographers did converge on Norman Chesky once, when they spotted him rolling a bulky, rough-hewn, wooden artifact from the 2009 auction at which Bernard Madoff's personal effects were sold for the benefit of bilked investors. Leading newspapers ran photos of Norman with the tree-trunk table he'd bought after happening on the sale, and the New York Times identified him as "a music executive from Manhattan." As the exchange that follows shows, that description was a glaring oversimplification.
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