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Analog vs Digital: Home-Brew Science at the Edge of the Art

Publisher's note: The following article, from the early days of Compact Disc, is presented with no claim for absoluteness. (In fact, just as we go to press in the spring of 1986, we received a manuscript from Philip Greenspun, Product Review Editor of Computer Music Journal (Cambridge, MA), who had precisely the opposite result when comparing CD to analog versions of the same recording, though it was unclear that his test procedures were as thorough as in the tests by these authors.) The tests described are neither single- nor double-blind, and the author's decision to forego conversation while listening to the same products does not by any means guarantee lack of mutual influence—especially because their musical tastes are so well known to each other. Moreover, repeating the test with different phono equipment, a different CD player, and a different replica of the master tape would likely yield somewhat different results.


Nevertheless, I think the basic conclusion is sound: good CD reproduction is remarkably close to a fairly good version of master tape sound; there's a good chance that it's more accurate than what you'll get from the average cartridge, tonearm, and turntable.

Absolute Phase: Fact or Fallacy?

Natural sounds produce different waveshapes during their positive and negative phases, and playback-system polarity reversal often changes the reproduced sound. Does this mean our ears are phase-responsive, or is there something else here we've been overlooking?


There has been much discussion recently among perfectionists about the importance of what is called "absolute phase" in sound reproduction. Basically, the contention has been that, since many musical sounds are asymmetrical (having different waveforms during positive and negative phases), it is important that a system make the proper distinctions between positive (compression) and negative (rarefaction) phases in playback.

Subjective Loudspeaker Testing

One of the most firmly-established audio platitudes is the one which says "The specs don't tell the whole story." One reason for this, of course, is the fact that most manufacturers, preferring to sell their products on the basis of emotional appeals in ads rather than on hard, cold performance claims, do not attempt to make their specs tell the whole story.
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