Aural Robert

Seeing Bruce Springsteen perform live in the 1970s and early '80s, pre–Born in the U.S.A., could be a life-changing experience. Bruce was the hungry leader of a relentless, turn-on-a-dime R&B band. A burning star streaking across the rock'n'roll sky, he threw his fiery young self into maximum shows full of urgency (to invoke one of his best rhymes) and those wordy, anthemic pleading/strutting urban fairy tales. He was leagues beyond almost everything and everyone else in those days.

Super fans who dig deeper into a favorite artist's recording catalog eventually come to the crossroads of performance versus sonics. In the case of Sly Stone, who died this past June at age 82, that question has new relevance with the release on CD and vinyl of a "new" Sly and the Family Stone record, The First Family: Live at Winchester Cathedral 1967.

There have been venue owners who have been larger than life—Hilly Kristal (CBGB) and Doug Weston (Troubadour) come to mind—but few live-music club owners have ever lived in and for the music the way that Clifford Antone has.

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album.

"The term 'sales' is an anachronism. Today, it's about streaming and ancillary income."—Randall Grass, general manager at Shanachie Entertainment.

Just before Christmas 2025, American music suffered two irreplaceable losses with the passings of Raul Malo (December 8) and Joe Ely (December 15). While a lot of musicians exist on the artistic and commercial fringes, Malo and Ely were foundational artists, gifted creators and performers who refused to be confined by artistic boundaries.

Blues giant Howlin' Wolf was recently celebrated with the launch of the Chess 75 Acoustic Sound Series, along with three other deserving blues artists. A collaboration between UME and Analogue Productions, these $40, 180gm LPs were, according to official paperwork, remastered from original analog tapes.